あらすじ
原文のあらすじ
In his early experimental short Karma (カルマ, 1977), Aihara uses water as his central motif. The film is hand drawn and appears to be shot on 16mm using a blue filter. At first we can only see tiny specks on the screen, coming and going like snow flurries. The specks gradually grow larger and take the shape of bubbles, t…あらすじをすべて表示折りたたむ
In his early experimental short Karma (カルマ, 1977), Aihara uses water as his central motif. The film is hand drawn and appears to be shot on 16mm using a blue filter. At first we can only see tiny specks on the screen, coming and going like snow flurries. The specks gradually grow larger and take the shape of bubbles, then even larger into rivulets of water on a transparent surface.
作品データ
作品情報
| 別名 | Karma |
|---|---|
| 地域 | 日本 |
放送情報
| 上映時間 | 2分 |
|---|---|
| 上映年度 | 1977 |
制作情報
| 監督 | 相原信洋 |
|---|
主要スタッフ
- 相原信洋監督
視聴 / 原作
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カルマ
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