あらすじ
原文のあらすじ
Perhaps the only film whose content is totally based on the musical form known as canon. The first sequence is a simple demonstration of the canon "Frere Jacques" where four cubes dance and combine with one another on a checkerboard. The second sequence show four little human-like figures dancing in space. The third an…あらすじをすべて表示折りたたむ
Perhaps the only film whose content is totally based on the musical form known as canon. The first sequence is a simple demonstration of the canon "Frere Jacques" where four cubes dance and combine with one another on a checkerboard. The second sequence show four little human-like figures dancing in space. The third and most elaborate sequence shows a human going through several strange gesticulations. Through multiple printing we realize that the man, as in the previous sequences, is part of a visual canon and is making the gestures to himself. As we hear variations on the canonic theme so too do we witness visual variations: a woman and cat enters the canon. To show the musical technique of inversion, the image of the man is printed upside down.
作品データ
作品情報
| 中国語名 | 卡农 |
|---|---|
| 別名 | 卡农 |
| 地域 | 加拿大 |
放送情報
| 上映時間 | 9分 |
|---|---|
| 上映年度 | 1964年1月1日（美国） |
制作情報
| 監督 | Norman McLaren |
|---|
主要スタッフ
- Norman McLaren監督
- National Film Board of Canadaアニメーション制作