Projected on two screens, with two separate soundtracks, the always exceptional, and occasionally brilliant, photographic images are enhanced by de Bruyn's rigorous control over a wide variety of experimental techniques.
Without overindulging in any of them, de Bruyn uses animation, optical illusions, time lapse, sol…あらすじをすべて表示折りたたむ
Projected on two screens, with two separate soundtracks, the always exceptional, and occasionally brilliant, photographic images are enhanced by de Bruyn's rigorous control over a wide variety of experimental techniques.
Without overindulging in any of them, de Bruyn uses animation, optical illusions, time lapse, solarization, hand tinting, flash frames, refilming and flicker effects, accompanied by a dense atmosphere of word puns, dialogue, primal screams, music and even recycled and letraseted soundtracks.By setting experiments entirely within his Moonee Ponds house, de Bruyn creates such a complex sense of claustrophobia, the spectator, while recognising the staid, conservative trappings of urban Melbourne, is presented with the sort of art neurosis more commonly found in megacities like New York.
The principal actor in Experiments is the narrator, whose anarchistic mind ruminates, struggles and screams from relief from the ravages of suburban Moonee Ponds, and the psychological suburbia of his mind.. Experiments, its cacophony of images flickering on two screens, throws up everything from schizophrenic madness to baby nappies, inviting you to participate in the cathartic recesses of a personal nightmare.
